German TV adaptation of Wilhelm Hauff‘s fairy tale “Dwarf Nose“.

The fairy Kräuterweis transforms the boy Jakob into a dwarf. No one recognizes him now. But Jacob does not lose his courage to face life. Because he still has a trump card up his sleeve! When 12-year-old Jacob mocks an old woman at the market because of her big nose, he has no idea that he will soon regret his actions. A short time later, the boy is already a prisoner of the fairy Kräuterweis and is forced by her to cook for her and her guests for several years. And as if that wasn't punishment enough, she then transforms him into a dwarf with a large nose. After this transformation, no one recognizes him, not even his mother Hanne. And so he has no choice but to put his newfound cooking skills to good use with Duke Kunz the Gourmand.

Twelve-year-old boy Jacob helped his mother sell vegetables on the market. Once he made fun of the appearance of an old woman who was buying greens. For this, the old witch turned Jacob into an ugly dwarf.

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The Spanish crown princess receives a very special present: a little person. To everyone’s amusement, he is unaware of his small stature. Before long feelings develop between the pair, but what chance do they have in a world where appearance is everything? Based on a story by Oscar Wilde, Der Zwerg (The Dwarf) is perhaps Zemlinsky’s best-known and most powerful opera. The performance marks both the first production of rising star Lorenzo Viotti as principal conductor at Dutch National Opera and the operatic debut of film and theatre director Nanouk Leopold. The heldentenor Clay Hilley performs the title role, while Infanta Clara is interpreted by soprano Lenneke Ruiten.

Based on Oscar Wildes story The Birthday of the Infanta, Zemlinskys single-act opera Der Zwerg is the tragic tale of a dwarf who is presented at court, falls in love with the beautiful Donna Clara, but is ultimately forced to see himself as others see him and to die of a broken heart. Preceded by Schoenbergs Accompaniment to a Cinematographic Scene, Op. 34, Zemlinskys Romantic score is full of psychological intrigue. Is Der Zwerg a critique of societys superficiality? Is it the composers self-portrait in his doomed affair with Alma Schindler? Director Tobias Kratzers stunning, transparent production creates a space in which each character is thrown into sharp relief in this fine, noble and melancholy work.

Sorted out - and at almost 50! Both professionally and privately, window dresser Tanja feels like she's been left behind. But she bravely sticks her chin out. Of course she can still keep up, and after one order after another falls through, Tanja is eager to start canvassing. An online course is designed to make her digitally fit. She is so preoccupied with herself that she neglects the most important people around her.